• ; news
  • ; art practice as research
    • art practice as research
    • keep frozen / book
  • .
  • mixed-media installation
    • Swimming Pool - Troubled Waters @ Künstlerhaus Bethanien
    • .
    • Werk - Labor Move @ Reykjavik Art Museum
    • .
    • All is full of love @ Künstlerhaus Bethanien
    • .
    • Keep Frozen part four @ ASI Art Museum
    • Keep Frozen part three @ Kunstkraftwerk
    • Keep Frozen part two @ Thoka Gallery
    • Keep Frozen part one @ De-construkt
    • .
    • Hops Hopsi @ Reykjavik Art Museum
    • Hops Hopsi @ PROGRAM
    • .
    • Die Vierzig Neunen @ Studio Claus Lehmann
    • .
    • Don't Feed Them After Midnight @ Sequences Biennale
  • moving image
    • Labor Love
    • .
    • Ocean Glory
    • .
    • Keep Frozen / the documentary
    • .
    • Labor Move
    • .
    • Material Puffin
    • .
    • Keep Frozen / single-channel videos
    • .
    • Hops Hopsi
    • .
    • The Cornershop
    • .
    • Don't Feed Them After Midnight
    • .
    • We Shall Never Be In Love Again
  • multiples
    • The World Will Not End in 2022
    • .
    • Krókurinn 'Hooked'
    • .
    • #puffinlove
    • .
    • Puffin hoodie
  • digital colour print
    • WERK
    • .
    • #112grafarvogur
    • .
    • Artist as a Puffin
    • .
    • Keep Frozen / Artist as a Worker
    • Keep frozen / Buoy
    • .
    • Me and the Couples
  • sculpture
    • Puffin Shop
    • Thinking like a Mountain. Thinking like a Mall
    • .
    • Keep Frozen / Golden ship
    • Keep Frozen / Buoy
    • .
    • ZiZi
    • .
    • Hops Hopsi / Young Lucky Luke
    • Hops Hopsi / Circus Tent
    • .
    • Don't Stop Me Now
    • .
    • McNolia
  • painting
    • Keep Frozen / Shipyard Paintings
  • performance
    • Keep Frozen / Sculpture from the bottom of the sea
    • Keep Frozen / 48 hour performance
    • .
    • The World Will Not End
    • .
    • Hops Hopsi
    • .
    • Me and the Couples
    • .
    • I´m a very special artist from Iceland
    • .
    • We Shall Never Be In Love Again
  • public space
    • #112grafarvogur
    • .
    • Tides ('Tídir')
    • .
    • The World Will Not End
    • .
    • Dresden Public Art View
  • .
  • dionysia residency program
  • publications, texts & press
    • book/dvd publication
    • .
    • exhibition catalogue
    • .
    • online media links
    • .
    • offline press
    • .
    • texts about the artist / art work
    • .
    • texts by the artist
  • about the artist
    • artist statement
    • .
    • short-biography
    • .
    • curriculum vitae
    • .
    • list of works
  • contact
  • imprint
  • Menu

HULDA RÓS GUÐNADÓTTIR

  • ; news
  • ; art practice as research
    • art practice as research
    • keep frozen / book
  • .
  • mixed-media installation
    • Swimming Pool - Troubled Waters @ Künstlerhaus Bethanien
    • .
    • Werk - Labor Move @ Reykjavik Art Museum
    • .
    • All is full of love @ Künstlerhaus Bethanien
    • .
    • Keep Frozen part four @ ASI Art Museum
    • Keep Frozen part three @ Kunstkraftwerk
    • Keep Frozen part two @ Thoka Gallery
    • Keep Frozen part one @ De-construkt
    • .
    • Hops Hopsi @ Reykjavik Art Museum
    • Hops Hopsi @ PROGRAM
    • .
    • Die Vierzig Neunen @ Studio Claus Lehmann
    • .
    • Don't Feed Them After Midnight @ Sequences Biennale
  • moving image
    • Labor Love
    • .
    • Ocean Glory
    • .
    • Keep Frozen / the documentary
    • .
    • Labor Move
    • .
    • Material Puffin
    • .
    • Keep Frozen / single-channel videos
    • .
    • Hops Hopsi
    • .
    • The Cornershop
    • .
    • Don't Feed Them After Midnight
    • .
    • We Shall Never Be In Love Again
  • multiples
    • The World Will Not End in 2022
    • .
    • Krókurinn 'Hooked'
    • .
    • #puffinlove
    • .
    • Puffin hoodie
  • digital colour print
    • WERK
    • .
    • #112grafarvogur
    • .
    • Artist as a Puffin
    • .
    • Keep Frozen / Artist as a Worker
    • Keep frozen / Buoy
    • .
    • Me and the Couples
  • sculpture
    • Puffin Shop
    • Thinking like a Mountain. Thinking like a Mall
    • .
    • Keep Frozen / Golden ship
    • Keep Frozen / Buoy
    • .
    • ZiZi
    • .
    • Hops Hopsi / Young Lucky Luke
    • Hops Hopsi / Circus Tent
    • .
    • Don't Stop Me Now
    • .
    • McNolia
  • painting
    • Keep Frozen / Shipyard Paintings
  • performance
    • Keep Frozen / Sculpture from the bottom of the sea
    • Keep Frozen / 48 hour performance
    • .
    • The World Will Not End
    • .
    • Hops Hopsi
    • .
    • Me and the Couples
    • .
    • I´m a very special artist from Iceland
    • .
    • We Shall Never Be In Love Again
  • public space
    • #112grafarvogur
    • .
    • Tides ('Tídir')
    • .
    • The World Will Not End
    • .
    • Dresden Public Art View
  • .
  • dionysia residency program
  • publications, texts & press
    • book/dvd publication
    • .
    • exhibition catalogue
    • .
    • online media links
    • .
    • offline press
    • .
    • texts about the artist / art work
    • .
    • texts by the artist
  • about the artist
    • artist statement
    • .
    • short-biography
    • .
    • curriculum vitae
    • .
    • list of works
  • contact
  • imprint

Installation view. ‘Powered by Nature’ and ‘Pour on the Coal’, both 2025

S-I-L-I-C-A-0-2 - solo exhibition at Gallery Gudmundsdottir in May and June 2025

June 09, 2025

Curatorial text of gallerist Gudny Gudmundsdottir:

Hulda Rós Gudnadóttir’s exhibition S-I-L-I-C-A-0-2 examines the global manufacturing structure behind silicon—a key component in technologies central to green energy transition such as solar cells as well as consumer electronics and our social infrastructure in general. Through sculptures, photographs, and materials from the production process, Hulda Rós Guðnadóttir traces the material’s journey from extraction to the creation of purer silicon and beyond, revealing the vast network of industries, landscapes, and geopolitical forces that shape its production. The work in the exhibition investigates entanglements of what is labelled green and non-green and the extractive economies that most objects in our everyday life are a part of.

Installation view. SILICA 05, SILICA 01, SILICA 04 2022 and ‘Here Comes the Sun’ 2025

For over a decade, Hulda has researched global trade and the hidden labor behind industrial supply chains. Her long-term project Keep Frozen focused on the shipping industry, revealing the human and environmental impact of maritime logistics. S-I-L-I-C-A-0-2 extends this inquiry, looking at how Iceland, Australia, Colombia, Egypt, Taiwan, and other regions are connected through the silicon supply chain. Iceland, often positioned as a leader in renewable energy, plays a crucial role in the creation of purer silicon using its geothermal resources before it is sent for further processing. As geopolitical tensions over the Arctic intensify—driven by resource extraction, trade routes, and strategic interests—the subject of Iceland’s role within the global system shifts from being of peripheral interest to gaining a major international attention.

Installation view. SILICA 05, SILICA 01, SILICA 04 2022

The exhibition features silicon metalloids alongside images from Hulda’s research archive in Australia and Iceland, documenting the landscapes and infrastructures shaped by silica extraction and processing. The digital photo series Here Comes the Sun juxtaposes a scan of a solar cell with a silicon metalloid, underscoring the raw material origins of renewable energy. A sculptural installation of seven elongated glass pipes, each over two meters long and filled with coal, highlights the continued reliance on fossil fuels within the green technologies sector.

Installation view. SILICA 02 and SILICA 03, 2022

Hulda Rós invites us to examine the complexity embedded in the clean energy transition as well as in the infrastructure of our social systems. What does sustainability mean when it depends on extractive industries spanning multiple continents? How does Arctic geopolitics intersect with resource economies, and what role does Iceland play in this increasingly contested region?

Through her research-driven practice, Hulda Rós Guðnadóttir challenges us to look beyond the surface of materials and industries we take for granted, highlighting the hidden entanglements of energy, economy, and environment.

Link to gallery page on the exhibition.

Prev / Next