• ; news
  • .
  • ; art practice as research
    • The Artist´s view
    • Keep Frozen
    • S-I-L-I-C-A
  • .
  • installation
    • S-I-L-I-C-A-0-2 at Gallery Gudmundsdottir
    • S-I-L-I-C-A-0-1 at Scharaun
    • Ocean Dwellers at Nordic Embassies
    • .
    • The Great Patch at UFO gallery
    • Swimming Pool - Troubled Waters at Künstlerhaus Bethanien
    • Werk - Labor Move at Reykjavik Art Museum
    • All is full of love at Künstlerhaus Bethanien
    • Based on a True Story at Meetfactory
    • Keep Frozen part four at ASI Art Museum
    • Keep Frozen part three at Kunstkraftwerk
    • Keep Frozen part two at Thoka Gallery
    • Keep Frozen part one at De-construkt
    • .
    • Hops Hopsi at Reykjavik Art Museum
    • Hops Hopsi at PROGRAM
    • .
    • Die Vierzig Neunen @ Studio Claus Lehmann
    • .
    • Don't Feed Them After Midnight at Sequences Biennale
  • .
  • moving
    • Ocean Glory
    • .
    • Labor Love
    • Keep Frozen / the documentary
    • Labor Move
    • Material Puffin
    • Keep Frozen / single-channel videos
    • .
    • Hops Hopsi
    • .
    • The Cornershop
    • .
    • Don't Feed Them After Midnight
    • .
    • We Shall Never Be In Love Again
  • sculpture
    • Puffin Shop
    • Thinking like a Mountain. Thinking like a Mall
    • .
    • Golden ship
    • Buoy
    • .
    • ZiZi
    • .
    • Hops Hopsi / Young Lucky Luke
    • Hops Hopsi / The Luminous Circus Tent as Neoliberalism
    • .
    • Don't Stop Me Now
    • .
    • McNolia
  • print
    • SILICA
    • .
    • WERK
    • Artist as a Worker
    • .
    • Artist as a Puffin
    • .
    • Me and the Couples
  • performance
    • Sculpture from the bottom of the sea
    • 48 hour dock worker's performance
    • .
    • The World Will Not End
    • .
    • Hops Hopsi
    • .
    • Me and the Couples
    • .
    • I´m a very special artist from Iceland
    • .
    • We Shall Never Be In Love Again
  • painting
    • Shipyard Paintings
  • multiple
    • The World Will Not End in 2022
    • .
    • Krókurinn 'Hooked'
    • .
    • #puffinlove
    • Puffin hoodie
  • found
  • public
    • Tides ('Tídir')
    • .
    • The World Will Not End
    • .
    • Dresden Public Art View
  • publications, texts & press
    • publications/monographs
    • .
    • exhibition catalogue
    • .
    • online media links
    • .
    • offline press
    • .
    • texts about the artist / art work
    • .
    • texts by the artist
  • about the artist
    • artist statement
    • .
    • short-biography
    • .
    • curriculum vitae
    • .
    • list of works
  • contact
  • .
  • The Great Defrost
  • keep frozen projects
  • dionysia residency
  • .
  • imprint
  • .
  • Menu

HULDA RÓS GUÐNADÓTTIR

  • ; news
  • .
  • ; art practice as research
    • The Artist´s view
    • Keep Frozen
    • S-I-L-I-C-A
  • .
  • installation
    • S-I-L-I-C-A-0-2 at Gallery Gudmundsdottir
    • S-I-L-I-C-A-0-1 at Scharaun
    • Ocean Dwellers at Nordic Embassies
    • .
    • The Great Patch at UFO gallery
    • Swimming Pool - Troubled Waters at Künstlerhaus Bethanien
    • Werk - Labor Move at Reykjavik Art Museum
    • All is full of love at Künstlerhaus Bethanien
    • Based on a True Story at Meetfactory
    • Keep Frozen part four at ASI Art Museum
    • Keep Frozen part three at Kunstkraftwerk
    • Keep Frozen part two at Thoka Gallery
    • Keep Frozen part one at De-construkt
    • .
    • Hops Hopsi at Reykjavik Art Museum
    • Hops Hopsi at PROGRAM
    • .
    • Die Vierzig Neunen @ Studio Claus Lehmann
    • .
    • Don't Feed Them After Midnight at Sequences Biennale
  • .
  • moving
    • Ocean Glory
    • .
    • Labor Love
    • Keep Frozen / the documentary
    • Labor Move
    • Material Puffin
    • Keep Frozen / single-channel videos
    • .
    • Hops Hopsi
    • .
    • The Cornershop
    • .
    • Don't Feed Them After Midnight
    • .
    • We Shall Never Be In Love Again
  • sculpture
    • Puffin Shop
    • Thinking like a Mountain. Thinking like a Mall
    • .
    • Golden ship
    • Buoy
    • .
    • ZiZi
    • .
    • Hops Hopsi / Young Lucky Luke
    • Hops Hopsi / The Luminous Circus Tent as Neoliberalism
    • .
    • Don't Stop Me Now
    • .
    • McNolia
  • print
    • SILICA
    • .
    • WERK
    • Artist as a Worker
    • .
    • Artist as a Puffin
    • .
    • Me and the Couples
  • performance
    • Sculpture from the bottom of the sea
    • 48 hour dock worker's performance
    • .
    • The World Will Not End
    • .
    • Hops Hopsi
    • .
    • Me and the Couples
    • .
    • I´m a very special artist from Iceland
    • .
    • We Shall Never Be In Love Again
  • painting
    • Shipyard Paintings
  • multiple
    • The World Will Not End in 2022
    • .
    • Krókurinn 'Hooked'
    • .
    • #puffinlove
    • Puffin hoodie
  • found
  • public
    • Tides ('Tídir')
    • .
    • The World Will Not End
    • .
    • Dresden Public Art View
  • publications, texts & press
    • publications/monographs
    • .
    • exhibition catalogue
    • .
    • online media links
    • .
    • offline press
    • .
    • texts about the artist / art work
    • .
    • texts by the artist
  • about the artist
    • artist statement
    • .
    • short-biography
    • .
    • curriculum vitae
    • .
    • list of works
  • contact
  • .
  • The Great Defrost
  • keep frozen projects
  • dionysia residency
  • .
  • imprint
  • .

Installation view. ‘Powered by Nature’ and ‘Pour on the Coal’, both 2025

S-I-L-I-C-A-0-2 - solo exhibition at Gallery Gudmundsdottir in May and June 2025

June 09, 2025

Curatorial text of gallerist Gudny Gudmundsdottir:

Hulda Rós Gudnadóttir’s exhibition S-I-L-I-C-A-0-2 examines the global manufacturing structure behind silicon—a key component in technologies central to green energy transition such as solar cells as well as consumer electronics and our social infrastructure in general. Through sculptures, photographs, and materials from the production process, Hulda Rós Guðnadóttir traces the material’s journey from extraction to the creation of purer silicon and beyond, revealing the vast network of industries, landscapes, and geopolitical forces that shape its production. The work in the exhibition investigates entanglements of what is labelled green and non-green and the extractive economies that most objects in our everyday life are a part of.

Installation view. SILICA 05, SILICA 01, SILICA 04 2022 and ‘Here Comes the Sun’ 2025

For over a decade, Hulda has researched global trade and the hidden labor behind industrial supply chains. Her long-term project Keep Frozen focused on the shipping industry, revealing the human and environmental impact of maritime logistics. S-I-L-I-C-A-0-2 extends this inquiry, looking at how Iceland, Australia, Colombia, Egypt, Taiwan, and other regions are connected through the silicon supply chain. Iceland, often positioned as a leader in renewable energy, plays a crucial role in the creation of purer silicon using its geothermal resources before it is sent for further processing. As geopolitical tensions over the Arctic intensify—driven by resource extraction, trade routes, and strategic interests—the subject of Iceland’s role within the global system shifts from being of peripheral interest to gaining a major international attention.

Installation view. SILICA 05, SILICA 01, SILICA 04 2022

The exhibition features silicon metalloids alongside images from Hulda’s research archive in Australia and Iceland, documenting the landscapes and infrastructures shaped by silica extraction and processing. The digital photo series Here Comes the Sun juxtaposes a scan of a solar cell with a silicon metalloid, underscoring the raw material origins of renewable energy. A sculptural installation of seven elongated glass pipes, each over two meters long and filled with coal, highlights the continued reliance on fossil fuels within the green technologies sector.

Installation view. SILICA 02 and SILICA 03, 2022

Hulda Rós invites us to examine the complexity embedded in the clean energy transition as well as in the infrastructure of our social systems. What does sustainability mean when it depends on extractive industries spanning multiple continents? How does Arctic geopolitics intersect with resource economies, and what role does Iceland play in this increasingly contested region?

Through her research-driven practice, Hulda Rós Guðnadóttir challenges us to look beyond the surface of materials and industries we take for granted, highlighting the hidden entanglements of energy, economy, and environment.

Link to gallery page on the exhibition.

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