• ; news
  • ; art practice as research
    • art practice as research
    • keep frozen / book
  • .
  • mixed-media installation
    • Swimming Pool - Troubled Waters @ Künstlerhaus Bethanien
    • .
    • Werk - Labor Move @ Reykjavik Art Museum
    • .
    • All is full of love @ Künstlerhaus Bethanien
    • .
    • Keep Frozen part four @ ASI Art Museum
    • Keep Frozen part three @ Kunstkraftwerk
    • Keep Frozen part two @ Thoka Gallery
    • Keep Frozen part one @ De-construkt
    • .
    • Hops Hopsi @ Reykjavik Art Museum
    • Hops Hopsi @ PROGRAM
    • .
    • Die Vierzig Neunen @ Studio Claus Lehmann
    • .
    • Don't Feed Them After Midnight @ Sequences Biennale
  • moving image
    • Labor Love
    • .
    • Ocean Glory
    • .
    • Keep Frozen / the documentary
    • .
    • Labor Move
    • .
    • Material Puffin
    • .
    • Keep Frozen / single-channel videos
    • .
    • Hops Hopsi
    • .
    • The Cornershop
    • .
    • Don't Feed Them After Midnight
    • .
    • We Shall Never Be In Love Again
  • multiples
    • The World Will Not End in 2022
    • .
    • Krókurinn 'Hooked'
    • .
    • #puffinlove
    • .
    • Puffin hoodie
  • digital colour print
    • WERK
    • .
    • #112grafarvogur
    • .
    • Artist as a Puffin
    • .
    • Keep Frozen / Artist as a Worker
    • Keep frozen / Buoy
    • .
    • Me and the Couples
  • sculpture
    • Puffin Shop
    • Thinking like a Mountain. Thinking like a Mall
    • .
    • Keep Frozen / Golden ship
    • Keep Frozen / Buoy
    • .
    • ZiZi
    • .
    • Hops Hopsi / Young Lucky Luke
    • Hops Hopsi / Circus Tent
    • .
    • Don't Stop Me Now
    • .
    • McNolia
  • painting
    • Keep Frozen / Shipyard Paintings
  • performance
    • Keep Frozen / Sculpture from the bottom of the sea
    • Keep Frozen / 48 hour performance
    • .
    • The World Will Not End
    • .
    • Hops Hopsi
    • .
    • Me and the Couples
    • .
    • I´m a very special artist from Iceland
    • .
    • We Shall Never Be In Love Again
  • public space
    • #112grafarvogur
    • .
    • Tides ('Tídir')
    • .
    • The World Will Not End
    • .
    • Dresden Public Art View
  • .
  • dionysia residency program
  • publications, texts & press
    • book/dvd publication
    • .
    • exhibition catalogue
    • .
    • online media links
    • .
    • offline press
    • .
    • texts about the artist / art work
    • .
    • texts by the artist
  • about the artist
    • artist statement
    • .
    • short-biography
    • .
    • curriculum vitae
    • .
    • list of works
  • contact
  • imprint
  • Menu

HULDA RÓS GUÐNADÓTTIR

  • ; news
  • ; art practice as research
    • art practice as research
    • keep frozen / book
  • .
  • mixed-media installation
    • Swimming Pool - Troubled Waters @ Künstlerhaus Bethanien
    • .
    • Werk - Labor Move @ Reykjavik Art Museum
    • .
    • All is full of love @ Künstlerhaus Bethanien
    • .
    • Keep Frozen part four @ ASI Art Museum
    • Keep Frozen part three @ Kunstkraftwerk
    • Keep Frozen part two @ Thoka Gallery
    • Keep Frozen part one @ De-construkt
    • .
    • Hops Hopsi @ Reykjavik Art Museum
    • Hops Hopsi @ PROGRAM
    • .
    • Die Vierzig Neunen @ Studio Claus Lehmann
    • .
    • Don't Feed Them After Midnight @ Sequences Biennale
  • moving image
    • Labor Love
    • .
    • Ocean Glory
    • .
    • Keep Frozen / the documentary
    • .
    • Labor Move
    • .
    • Material Puffin
    • .
    • Keep Frozen / single-channel videos
    • .
    • Hops Hopsi
    • .
    • The Cornershop
    • .
    • Don't Feed Them After Midnight
    • .
    • We Shall Never Be In Love Again
  • multiples
    • The World Will Not End in 2022
    • .
    • Krókurinn 'Hooked'
    • .
    • #puffinlove
    • .
    • Puffin hoodie
  • digital colour print
    • WERK
    • .
    • #112grafarvogur
    • .
    • Artist as a Puffin
    • .
    • Keep Frozen / Artist as a Worker
    • Keep frozen / Buoy
    • .
    • Me and the Couples
  • sculpture
    • Puffin Shop
    • Thinking like a Mountain. Thinking like a Mall
    • .
    • Keep Frozen / Golden ship
    • Keep Frozen / Buoy
    • .
    • ZiZi
    • .
    • Hops Hopsi / Young Lucky Luke
    • Hops Hopsi / Circus Tent
    • .
    • Don't Stop Me Now
    • .
    • McNolia
  • painting
    • Keep Frozen / Shipyard Paintings
  • performance
    • Keep Frozen / Sculpture from the bottom of the sea
    • Keep Frozen / 48 hour performance
    • .
    • The World Will Not End
    • .
    • Hops Hopsi
    • .
    • Me and the Couples
    • .
    • I´m a very special artist from Iceland
    • .
    • We Shall Never Be In Love Again
  • public space
    • #112grafarvogur
    • .
    • Tides ('Tídir')
    • .
    • The World Will Not End
    • .
    • Dresden Public Art View
  • .
  • dionysia residency program
  • publications, texts & press
    • book/dvd publication
    • .
    • exhibition catalogue
    • .
    • online media links
    • .
    • offline press
    • .
    • texts about the artist / art work
    • .
    • texts by the artist
  • about the artist
    • artist statement
    • .
    • short-biography
    • .
    • curriculum vitae
    • .
    • list of works
  • contact
  • imprint
IMG_5244.jpeg

Cryptonian States Berlin 2018 part of Cycle festival

June 04, 2018

≥≥≥    May 26th 15:00 - 22:00

One day group exhibition “Cryptopian States” at the private residency of the ambassador of Iceland in Berlin at Trabenerstrasse 68, 14 193 Berlin. Part of Cycle Music and Art Festival curated by Gudny Gudmundsdottir, Jonatan Habib-Engqvist and Sara Oldudottir.

www.cycle.is

IMG_5242.jpeg

The artist connects the Icelandic fishing industry to the biblical saga of the golden calf. Ships have been essential to the race and scramble for resources that underpins the whole colonial saga. Access to wealth further forms the foundations for self-sufficiency and alleviation of poverty. After a glorious age of nautical exploration during the time of the Icelandic settlers, the period under Danish rule rendered the nation nautically inept. Impoverished Icelanders watched from their rowing boats how European ships extracted massive amounts of Cod and other fish on the basis of fishing rights that were sold off by Danish authorities. The regaining of a shipping fleet in the 20th century, independent trade and fishing at an industrial level, laid the unquestionable foundation for the country’s independence.  - Sara Öldudóttir, curator

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